Videos tagged with Americana

This YouTube video focuses on the Second Amendment and its connection to firearms, as suggested by the hashtags in the title. The inclusion of 'rdr2' and 'rdr3' might indicate a comparison or use of firearms within the context of these video games, or perhaps a thematic link to the games' settings. The 'cameraman' tag suggests the video might involve filming or showcasing firearms, and 'american' reinforces the patriotic and rights-based theme.

This YouTube video focuses on music, specifically banjo performance and related resources. The description provides extensive links for tablature, online courses, merchandise, music streaming (Bandcamp, Spotify, iTunes), and donation options. It highlights a Patreon page and SubscribeStar for exclusive content and a Banjo Heritage YouTube membership. The title, 'The last time I seen you walking down the street,' suggests a song title or theme, further reinforcing the musical nature of the content.

This video features a musical performance of the folk song "Stagolee shot Billy, he shot him with his forty-four." The description details the historical inspiration for the song, which recounts the true story of Shelton "Stag" Lee shooting Billy Lyons in 1895. The performer, Clifton Hicks, plays an 1888 Thompson & Odell "The Luscomb" banjo tuned to gCGCD and draws lyrical inspiration from Mississippi John Hurt. The video also promotes various platforms for accessing tabs, exclusive content, music, and merchandise.

This YouTube video features Clifton Hicks performing "Danville Girl," a song originally recorded by Dock Boggs in 1927. The description emphasizes learning the song from Boggs' Brunswick Records performance and offers access to lyrics and banjo tablature through various platforms like Patreon, Banjo Heritage, and Bandcamp. It also highlights Hicks' banjo heritage online course and musical releases on Spotify and iTunes. The video aims to share this piece of musical history and connect with an audience interested in traditional banjo music.

This YouTube video focuses on the banjo performance of "Cindy" by Clifton Hicks, who learned the tune from recordings and videos of John Jackson. The description highlights Jackson's guitar and banjo playing, his musical upbringing, and his life in Woodville and Fairfax, Virginia. Clifton Hicks provides multiple links to his Patreon, website, merchandise, and music streaming platforms for viewers interested in supporting his work or accessing tablature and courses.

This YouTube video features Clifton Hicks, a musician who handmade his Kentucky mountain banjo. He performs a piece titled 'Sourwood Mountain' in the gDGBd tuning. The description provides extensive links to his various platforms including Patreon, Bandcamp, Spotify, iTunes, SubscribeStar, PayPal, Venmo, and his YouTube channel's membership option. He also promotes his merchandise available at BanjoHeritage.org. The video focuses on traditional music and banjo performance.

This YouTube video features Clifton Hicks performing the song "Sugar Hill." The description indicates the song was learned from Matt Kinman and Josh Hayes in Watauga County, North Carolina in 2008. Kinman played the fiddle and Hayes played the banjo. The video also promotes various platforms for Clifton Hicks' music and banjo-related content, including Patreon, SubscribeStar, Banjo Heritage, Bandcamp, Spotify, iTunes, and PayPal donations. The hashtags provided are #cliftonhicks, #banjoheritage, #banjo, #bluegrass, #americana, and #432hz. There is no mention or demonstration of firearms or related equipment in the provided information.

This video showcases a handmade, fretless Kentucky mountain banjo built by Clifton Hicks. The description details the instrument's construction materials, including black walnut, red oak, red cedar, and wormy chestnut, with a natural goat skin head and hemp oil/beeswax finish. It highlights the absence of metal parts and power tools, emphasizing hand-tool craftsmanship. The video also promotes an upcoming Banjo Extravaganza event at Hagood Mill Historic Site in Pickens, SC, featuring musical presentations and live performances by various banjo artists.

This video features a Point of View (POV) firing demonstration of the 1873 Single Action Great Western II revolver. The description provides extensive historical context for the Colt Single Action Army (SAA), also known as the Peacemaker, detailing its design for U.S. Army trials, its long production history, various calibers and barrel lengths, and its iconic status in Americana and the American Wild West. The SAA's influence on other firearm designs and its current popularity among collectors and re-enactors are also highlighted.

This video delves into the historical origins and evolution of the song "Shaving a Dead Man," also known as "Shave a Dead N*****" and recently "Protect the Innocent." The creator discusses the practice of undertakers shaving deceased individuals, suggesting the song's roots in this practice, particularly within Black Southern communities as a banjo tune. The video highlights the problematic nature of the modern title "Protect the Innocent" and promotes various platforms for supporting the creator's banjo heritage work, including Patreon, Bandcamp, and other merchandise and streaming services.

This YouTube video features Clifton Hicks performing the song "Shaving a Dead Man," learned from Oscar Wright. The song is presented as a Black banjo song similar to "Georgie Buck," with the original lyrics lost. Hicks plays an 1888 Thompson & Odell "The Luscomb" banjo tuned to fG♯C♯G♯C♯, an alternative to the standard g♯BEBE tuning. The description also provides numerous links to the artist's Patreon, website, merchandise, streaming platforms (Bandcamp, Spotify, iTunes), and donation options, including PayPal and YouTube channel memberships. Hashtags like #cliftonhicks, #banjoheritage, #banjo, #bluegrass, and #americana are included.

This YouTube video features Clifton Hicks performing "I got me a woman on the road somewhere," also known as "Got a Mule to Ride" and "Bottled in Bond." The description highlights the song's origins in early blues, railroad worker, and Appalachian camp music. Hicks plays an 1880s J.B. Schall banjo tuned several frets below standard GCGCD tuning. The video description also heavily promotes his various online platforms including Patreon, Banjo Heritage, SubscribeStar, Bandcamp, Spotify, iTunes, and PayPal for tablature, courses, merchandise, music streaming, and donations.