Clifton Hicks - Coon Hunt Walkaround / Wise County Jail

Clifton Hicks, an expert in traditional Appalachian music and historical reenactment, demonstrates his deep knowledge of 18th-century frontier living. The video showcases his performances of 'Pretty Polly' and 'East Virginia' on a fretless banjo, alongside a detailed account of his overnight stay in a Cherokee winter house at Fort Loudoun, Tennessee. Hicks provides insights into the structure's thermal efficiency, smoke ventilation, and his primitive morning coffee preparation, while also assessing his period-correct gear, including worn moccasins and a fire-damaged wool blanket.

This YouTube video, titled 'How to Get Better BANJO Slides,' features Clifton Hicks providing instruction on improving banjo sliding techniques. The description highlights that Hicks explains these techniques for both fretted and fretless banjos. It also heavily promotes his Patreon page for exclusive tablature, photos, and forum access, as well as his 'Banjo Heritage' online course, merchandise, and music streaming platforms (Bandcamp, Spotify, iTunes), and donation options via PayPal.

This video features Clifton Hicks playing "Trouble On My Mind" on a handmade, fretless, 4-string gourd banjo. He learned the tune from David Hurt and Rufus Crisp, referencing their Kentucky origins. The banjo is tuned to BBE♭F♯ at 432 Hz. The description also includes multiple links to his various online platforms for music, merchandise, and financial support, including Patreon, Bandcamp, Spotify, and iTunes.

This video features Clifton Hicks playing two songs, "Coon Hunt Walk Around" and "Brother Jim Got Shot," on a late 19th-century Buckbee banjo with a 1903 patented tone ring. The title "Brother Jim Got Shot" strongly implies a narrative or theme related to firearms, even if no firearms are directly shown or discussed in the description. The context of learning the song from a recording referencing "Wise County, Virginia" might also hint at a historical or folk tradition that sometimes touches upon themes of violence or hardship, which could indirectly involve firearms. The video heavily promotes Clifton Hicks' Patreon, Banjo Heritage courses, merchandise, and other online platforms for music and engagement.

This YouTube video features a banjo instrumental titled 'Coon Hunt Walkaround', presented by Clifton Hicks. The description delves into the historical origins of the tune, referencing its appearance in "BANJO WITHOUT A MASTER" by Frank Converse (1865). The creator details his instrument, an 1880s Buckbee banjo with a specific tone ring (Hoseus or Farmer) and a slightly altered tuning. The description also provides numerous links for audience engagement, including Patreon, SubscribeStar, Bandcamp, Merch, Spotify, iTunes, PayPal, Venmo, and YouTube channel memberships. The presence of the term 'Coon Hunt' is noted, which has historical associations with hunting practices.

This YouTube video features Clifton Hicks performing "Rooster Crow Medley" by Uncle Dave Macon, which he identifies as a variation of the tune "Sally Goodin." He plays a fretless minstrel banjo tuned to eAEAB to emulate Macon's arrangement, noting that Macon likely used a gCGBD tuning for his recording. The description also provides links to a Patreon for tablature, a "Banjo Heritage" online course and forums, SubscribeStar, merchandise, Bandcamp, Spotify, iTunes, PayPal, and a YouTube channel membership. Hashtags include #cliftonhicks, #banjoheritage, #banjo, #bluegrass, #americana, and #432hz.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.