Matthew Govig “Sally Ann” (Sail Away, Ladies)

This YouTube video features Jordan Judkins on guitar, Trenton Caruthers on fiddle, and Buddy Ingram on banjo performing the song "Polly Wolly Doodle." The performance took place at the Stonecipher House in Wartburg, Tennessee. The content focuses entirely on a musical performance with no mention or demonstration of firearms.

This video features Clifton Hicks performing the song "Hard Times on Beaver Dam Road." He notes learning the song from Josh Hayes on the porch of an early 1900s house in Wautauga County, near the home of the original composer, Frank Proffitt. The description heavily promotes Clifton Hicks' various online platforms, including Patreon, Banjo Heritage, SubscribeStar, Bandcamp, Spotify, iTunes, and PayPal, for access to tablature, courses, merchandise, and music.

This video showcases a performance of the song "Mississippi Sawyer," featuring Uncle Dave Macon and Sam McGee. The performer uses a c. 1900 JB Schall "Waldo" banjo tuned to gCGBD. The description highlights that the performer learned the song from a film featuring Sam McGee, who had a long working relationship with Uncle Dave Macon.

This YouTube video features Clifton Hicks performing "I got me a woman on the road somewhere," also known as "Got a Mule to Ride" and "Bottled in Bond." The description highlights the song's origins in early blues, railroad worker, and Appalachian camp music. Hicks plays an 1880s J.B. Schall banjo tuned several frets below standard GCGCD tuning. The video description also heavily promotes his various online platforms including Patreon, Banjo Heritage, SubscribeStar, Bandcamp, Spotify, iTunes, and PayPal for tablature, courses, merchandise, music streaming, and donations.

This video features Matthew Govig playing an 18th-century style gourd banjo, crafted by Clifton Hicks. The performance takes place on the porch of the historic John Sevier house at Marble Springs State Historic Site in Tennessee. The description also includes a call to support Banjo Heritage via Patreon. The content focuses on historical musical instruments and performance, not firearms.

This YouTube video features Clifton Hicks performing "Rooster Crow Medley" by Uncle Dave Macon, which he identifies as a variation of the tune "Sally Goodin." He plays a fretless minstrel banjo tuned to eAEAB to emulate Macon's arrangement, noting that Macon likely used a gCGBD tuning for his recording. The description also provides links to a Patreon for tablature, a "Banjo Heritage" online course and forums, SubscribeStar, merchandise, Bandcamp, Spotify, iTunes, PayPal, and a YouTube channel membership. Hashtags include #cliftonhicks, #banjoheritage, #banjo, #bluegrass, #americana, and #432hz.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.