Bone nut for an 18th century gourd banjo...

This video focuses on the restoration of a banjo by M.B. Green, a musical instrument craftsman and bluegrass musician from Louin, Mississippi. It serves as a portrait of Green and his work. The description also includes promotional links for Clifton Hicks' Patreon, an online banjo heritage course, merchandise, Bandcamp, Spotify, iTunes, and PayPal, indicating a connection to music and the artist.

This video explores the historical Tellico Blockhouse, a 1794 defensive structure built to mediate conflict between Cherokee people and encroaching White settlers. The description details the original purpose, subsequent developments including a trading post and mills, and eventual abandonment. The creator also showcases playing "Sourwood Mountain" on a self-built gourd banjo, providing tuning details and a link to related banjo resources.

This YouTube video features Matthew Govig performing the song "Barbara Allen" on a fretless gourd banjo. The description indicates that Govig likely learned this particular arrangement of the song from Noah Payne during a visit to Kentucky. The instrument itself is a traditional gourd banjo, handcrafted by Clifton Hicks. The video also promotes "Banjo Heritage," encouraging viewers to support it through Patreon, online courses, and merchandise.

This video showcases a performance of the song "Trouble on My Mind" played on a fretless gourd banjo handmade by the creator. The artist learned the tune from David Hurt and Rufus Crisp, and the instrument features a 4-string setup. The video description provides multiple links to the artist's Patreon, website, merchandise, and music platforms, encouraging viewer support and engagement. The tuning used is BBE♭F♯ at 432 Hz.

This video showcases an early, handmade 4-string gourd banjo built by Clifton Hicks around 2021. Hicks performs two traditional southern United States dance tunes: "Johnson Boys" and "Hook & Line." The description strongly encourages viewers to support the artist and his "Banjo Heritage" through various platforms like Patreon, SubscribeStar, Bandcamp, Spotify, iTunes, and direct donations. The content is focused on traditional American folk music and instrument craftsmanship.

This video features Clifton Hicks demonstrating a colonial-era gourd banjo at Blue Ridge Community College in 2018. He performs the traditional dance tune "Hook & Line" on a reproduction of an early gourd banjo. The description includes extensive lists of related musicians, musical styles, and historical contexts, as well as various links for supporting the artist's work.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.