Old Banjo Needs OLD Tailpiece #banjo #oldtimebanjo #clawhammerbanjo #folkmusic #music

This YouTube video, titled 'Banjo Geometry', features Clifton Hicks discussing the fundamental geometry of the banjo. The description highlights his online banjo courses, forums, merchandise, and various streaming and donation platforms. The content is entirely focused on banjos and related music genres.

This video showcases the Oettinger patented adjustable tailpiece for banjos, with Clifton Hicks demonstrating its features and benefits. The description highlights various ways to support Clifton Hicks, including Patreon, SubscribeStar, Banjo Heritage platforms, and direct donations via PayPal and Venmo. It also promotes his music streaming on Bandcamp, Spotify, and iTunes.

This YouTube video features Clifton Hicks performing "Morphine Blues" on an old-time banjo, with a focus on clawhammer banjo technique. The video title and description highlight banjo-related content and promote Clifton Hicks's various platforms for music, lessons, and merchandise, including Patreon, Banjo Heritage, Bandcamp, Spotify, and iTunes. It also includes options for donations via PayPal and Venmo.

This video appears to be a behind-the-scenes look at a project or performance related to 'Old Leatherstocking' and Clifton Hicks. The description heavily promotes Clifton Hicks' music, merchandise, and various platforms like Patreon, SubscribeStar, Bandcamp, Spotify, and iTunes, all focused on banjo music, old-time music, bluegrass, folk, country, blues, roots music, and Americana. There is no mention of firearms, ammunition, manufacturers, or related topics.

This YouTube video features Clifton Hicks performing "Two White Horses," a song learned from a 1949 John Lee Hooker recording. The description highlights the song's similarity to Dock Boggs' "Rub Alcohol Blues" and its tuning to "False Hearted Lover's Blues." The video's description heavily promotes Hicks' online presence, including Patreon, SubscribeStar, Bandcamp, merch store, Spotify, iTunes, PayPal, Venmo, and YouTube channel memberships, all under the "Banjo Heritage" umbrella.

This YouTube video focuses on the song "You Shall Be Free," specifically addressing a controversy surrounding its lyrics and the historical context of its recordings. The creator clarifies a misinterpretation of lyrics by "dusttodigital" and the "New York Times," asserting that the original lyrics from the 1928 Bill & Belle Reed recording do not reference lynching but rather traditional maize agriculture. The video highlights the original recording and mentions a later version by Sonny Terry, Woody Guthrie, and Lead Belly. It also promotes the creator's Patreon, merchandise, and other social media platforms.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.