RARE Banjo - Fairbanks "Curtis Electric" (1890s)

This video delves into the history and craftsmanship of J.B. Schall's "Waldo" banjos from the early 1900s. It details Schall's career as a banjo maker in Chicago, his collaboration with James Waldo and the Waldo Manufacturing Company, and the distinctive features of these instruments. The description also touches upon Schall's passing in 1907, highlighting his dedication to his craft.

This video showcases a vintage 1920s Bacon "Blue Ribbon" Banjo. The description provides links to the musician Clifton Hicks' various platforms, including Patreon, Bandcamp, Spotify, iTunes, Venmo, and PayPal, suggesting the banjo is used for musical performances and likely for sale or promotion of his music. The content focuses on a musical instrument, not firearms.

This video features James Hartel playing his new Hartel minstrel banjo, serial number 76. The description indicates this is the first time playing the instrument, suggesting an unboxing, initial impressions, or a basic demonstration of its sound. Given the title and description, the content likely focuses on the banjo itself and the experience of playing it.

This video showcases a beautiful, early 1880s fretless banjo. The description highlights its origin from a New York maker, possibly Buckbee or Cubley, and notes distinctive features like flush frets and a partial birdseye maple fingerboard. The instrument is described as an antique with significant character and wear. The video also provides links to the creator's Patreon, Bandcamp, Spotify, iTunes, and PayPal.

This video focuses on an antique S.S. Stewart "Universal Favorite" No. 1 banjo from the 1890s. The content primarily showcases the instrument, its historical significance, and its aesthetic appeal. It is presented by Clifton Hicks, who also provides links to his music on Bandcamp, Spotify, and iTunes, as well as his Venmo and PayPal for support. The video is aimed at enthusiasts of vintage musical instruments, specifically banjos.

This video showcases a 1964 Vega "Ranger" resonator banjo, highlighting its Boston, Massachusetts origin and its similarity to the "Folk Ranger" open-back model. Notable upgrades include nickel-plated geared tuners and a Kershner reproduction tailpiece. The description emphasizes various platforms where viewers can find tablature, exclusive content, merchandise, music streaming, and donation options, primarily through Patreon and the Banjo Heritage platform. It aims to connect with banjo enthusiasts and potential patrons interested in the instrument and its associated resources.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.