Our Collection: The Lion Armour

Published on June 24, 2010
Duration: 3:14

This entry details the Lion Armour from the Royal Armouries, a significant piece of 16th-century steel armor with gold inlay and embossed lion motifs. The armor, likely of French or Italian origin around 1560, shows clear signs of combat damage, including sword slashes on the helmet. Historical records suggest it was worn by notable figures like the 2nd Earl of Manchester and potentially depicted with King Charles I and II. A similar suit exists in Paris, hinting at a possible pair.

Quick Summary

The Lion Armour, housed by the Royal Armouries, is a 16th-century steel suit of French or Italian origin, circa 1560. It features intricate gold inlay and embossed lion motifs, symbolizing power. Crucially, visible sword slashes on the helmet prove it was worn in combat. A similar suit exists in Paris, suggesting they may have been made as a pair.

Chapters

  1. 00:00Introduction to the Lion Armour
  2. 00:46Origins and Mystery
  3. 01:07Historical Clues and Portraits
  4. 01:50Combat Evidence
  5. 02:15Comparison and Conclusion

Frequently Asked Questions

What is the Lion Armour and where is it housed?

The Lion Armour is a significant 16th-century suit of steel plate armor, distinguished by its gold inlay and numerous lion motifs. It is a key exhibit of the Royal Armouries, known for its historical and artistic value.

What is the estimated origin and date of the Lion Armour?

The Lion Armour is believed to have been crafted around 1560, likely by a skilled artisan from either France or Italy, reflecting the high standards of Renaissance armor production in Europe.

Does the Lion Armour show signs of actual combat?

Yes, close examination of the Lion Armour, particularly the helmet, reveals distinct sword slash marks. This physical evidence confirms the armor was worn in combat situations, not just for display or ceremony.

Are there any other similar armors known?

A suit of armor bearing strong resemblances to the Lion Armour is preserved in the Musée de l'Armée in Paris. This similarity has led experts to speculate that the two pieces might have been manufactured as a matching set.

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