Videos tagged with Custom Suppressor

This video reviews the Bond Arms Cyclops 50 AE derringer, specifically testing a custom suppressed version. The host, Scott from Kentucky Ballistics, compares the suppressed model's sound and blast to the unsuppressed version. Various tests are conducted, including ballistic gel, target destruction, and accuracy at range, highlighting the derringer's significant power and the suppressor's effectiveness in reducing noise.

This video showcases the world's first 4-bore suppressor, developed in collaboration with Huxwrx and Silencer Shop, and mounted on a Christian Firearms 4-bore rifle. Expert instructor Scott demonstrates the immense scale of the 4-bore caliber, comparing it to common rounds and everyday objects. Live-fire tests reveal significant sound and recoil reduction with the suppressor, and armor penetration tests highlight the projectile's destructive power against ballistic protection.

This video showcases what is claimed to be the world's smallest suppressor. The title emphasizes its miniature size with multiple exclamation points and fire emojis, indicating excitement and potentially a focus on a unique or novel piece of firearm accessory. As no other details are provided, the content likely revolves around the presentation, functionality, and perhaps a comparison of this diminutive suppressor.

Dragonman provides an update on his manufactured Dragonfire AR-15 rifles, detailing the assembly process and available components. He highlights the heavy, chrome-lined barrels with an 8:1 twist rate, custom flask suppressors, and the inclusion of bolt carrier groups and firing pins. The rifles are designed to fit various receivers and are available in semi and fully automatic configurations, with fully automatic versions restricted to law enforcement and licensed dealers. Parts kits and complete firearms are available, with a waiting list for current demand.

This entry details the creation of a movie prop suppressor for a Remington 11-87 used in 'No Country for Old Men.' Prop master Larry Zanoff explains how the suppressor was designed to look homemade and was non-functional, with sound effects added in post-production. The process highlights the creative problem-solving involved in film armory.