Clifton Hicks - I am Bound Across the Blue Ridge Mountain

This YouTube video, titled "Crying Shame" by (gCGCC) and featuring Clifton Hicks, is a deep dive into the world of traditional banjo music. It showcases various banjo playing styles including overhand, clawhammer, two-finger, thumb lead, and frailing. The content explores historical techniques from the southern Appalachian mountains and early minstrel shows, touching upon genres like hoedown, blues, and waltz pieces. The description also references influences from Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music traditions. The video also lists a comprehensive array of influential banjo players and artists, indicating a focus on the history, anthropology, folklore, research, and musicology of the instrument.

This video features Clifton Hicks performing the song "Black Velvet Band" on the banjo, learned from a recording of Luke Kelly. The description highlights various banjo playing techniques such as overhand, clawhammer, two-finger, and thumb lead styles, alongside discussions of traditional Southern Appalachian music, minstrel show techniques, and their historical and anthropological roots. It also references diverse musical traditions, including Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music, as well as specific musicians and banjo players. The content is focused on old-time and folk music traditions.

This video showcases a close-up performance of the traditional folk tune "Cluck Old Hen" on the banjo. It delves into various banjo playing techniques, including overhand, two-finger, and frailing styles, referencing their historical roots in southern Appalachian mountain music and early minstrel shows. The description also touches upon broader musical history, folklore, and influences from Afro-Caribbean, West African, Cajun, Zydeco, Métis, Creole, Melungeon, and indigenous North American traditions. A comprehensive list of influential banjo players and musicians is provided, highlighting the rich heritage of this musical style.

This YouTube video is a Q&A session focused on the banjo, specifically the "5th string pip" and various playing styles like clawhammer, overhand, and two-finger. The content delves into the history, anthropology, folklore, and musicology of old-time banjo music, referencing traditional Appalachian mountain music and early minstrel show techniques. It also touches upon Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music traditions, as well as Southern culture. Numerous influential banjo players and musicians from various eras are mentioned.

This video showcases Clifton Hicks playing "Cumberland Gap" on a 1910 Weymann "Keystone State" banjo tuned to fDGCD. Hicks learned the tune from Lee Sexton of Kentucky. The description highlights various banjo playing styles such as overhand, clawhammer, two finger, thumb lead, frailing, and stroke styles. It also touches upon historical and anthropological aspects of old-time music, including southern Appalachian mountain hoedown, early minstrel show techniques, breakdowns, blues, waltz pieces, tin pan alley, Afro-Caribbean and West African influences, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music traditions. A comprehensive list of influential old-time musicians and songsters is provided.

This video focuses on traditional American old-time music, specifically featuring banjo playing techniques such as overhand, clawhammer, two-finger, and thumb lead styles. It delves into the history, folklore, and anthropological aspects of southern Appalachian mountain music and early minstrel show traditions. The description also highlights influences from Afro-Caribbean, West African, Cajun, Zydeco, Métis, Creole, Melungeon, and indigenous North American music. A comprehensive list of influential banjo players and musicians is provided, underscoring the genre's roots and evolution.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.