"Crying Shame" by Clifton Hicks (gCGCC)

This video features Clifton Hicks demonstrating various old-time banjo playing styles including overhand, clawhammer, two-finger, and thumb lead. It delves into traditional Southern Appalachian mountain music, hoedowns, and early minstrel show techniques. The description also touches upon historical, anthropological, folkloric, and musicological aspects, referencing Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music traditions. A comprehensive list of influential banjo players and folk musicians is provided.

This video showcases Clifton Hicks playing "Cumberland Gap" on a 1910 Weymann "Keystone State" banjo tuned to fDGCD. Hicks learned the tune from Lee Sexton of Kentucky. The description highlights various banjo playing styles such as overhand, clawhammer, two finger, thumb lead, frailing, and stroke styles. It also touches upon historical and anthropological aspects of old-time music, including southern Appalachian mountain hoedown, early minstrel show techniques, breakdowns, blues, waltz pieces, tin pan alley, Afro-Caribbean and West African influences, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music traditions. A comprehensive list of influential old-time musicians and songsters is provided.

This video focuses on traditional American old-time music, specifically featuring banjo playing techniques such as overhand, clawhammer, two-finger, and thumb lead styles. It delves into the history, folklore, and anthropological aspects of southern Appalachian mountain music and early minstrel show traditions. The description also highlights influences from Afro-Caribbean, West African, Cajun, Zydeco, Métis, Creole, Melungeon, and indigenous North American music. A comprehensive list of influential banjo players and musicians is provided, underscoring the genre's roots and evolution.

This video, "Ducks on the Millpond - Matt Kinman & Josh Hayes," focuses on traditional old-time banjo music and techniques, including overhand, clawhammer, two-finger, and thumb-lead styles. It delves into the history, anthropology, and folklore of southern Appalachian mountain music and early minstrel show traditions. The description also highlights connections to various musical influences and historical figures within the genre, alongside links to support the artists via Patreon, Bandcamp, Spotify, iTunes, Venmo, and PayPal.

This video features "Old Leatherstocking - Unquiet Grave" by Clifton Hicks, a banjo performance. The description provides extensive links to the artist's platforms including Patreon, SubscribeStar, Bandcamp, merch store, PayPal, Venmo, Spotify, and iTunes, encouraging fan support and engagement with his music. The primary focus is clearly on the banjo music and the artist's presence within the music community.

This video showcases a close-up performance of the traditional folk tune "Cluck Old Hen" on the banjo. It delves into various banjo playing techniques, including overhand, two-finger, and frailing styles, referencing their historical roots in southern Appalachian mountain music and early minstrel shows. The description also touches upon broader musical history, folklore, and influences from Afro-Caribbean, West African, Cajun, Zydeco, Métis, Creole, Melungeon, and indigenous North American traditions. A comprehensive list of influential banjo players and musicians is provided, highlighting the rich heritage of this musical style.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.