Dust-to-Digital's Harry Smith B-Sides Anthology #countrymusic #folk #oldtimemusic #americana #blues

This video features Clifton Hicks performing his original song "Crying Shame" from 2005. The description provides extensive links to the artist's online presence, including Patreon for exclusive tablature and content, Banjo Heritage for courses and merchandise, Bandcamp and Spotify for streaming music, and PayPal for donations. The title suggests a personal reflection or a theme of longevity, but the content itself is music-focused, specifically a banjo performance.

This YouTube video features Clifton Hicks performing the song "Calvary," learned from Dock Boggs, on an 1888 Thompson & Odell "The Luscomb" banjo tuned to 432 Hz. The description includes the full lyrics of the song, which are based on the biblical account of Jesus' crucifixion from Mark 15:16-39. It also provides extensive links to Clifton Hicks' various online platforms for lessons, music, and merchandise. The video is tagged with relevant terms related to the song's theme, musical style, and the performer's work.

This YouTube video, titled 'Dust-to-CENSORED 👮🏽‍♀️🚨', appears to be a critical review or discussion of an album by 'dusttodigital' that is inspired by Harry Smith's Anthology of American Folk Music. The content is heavily focused on music, particularly banjo music, and promotes various platforms for the creator, Clifton Hicks, including Patreon, SubscribeStar, Bandcamp, Spotify, iTunes, and PayPal/Venmo donations. It also directs viewers to his Banjo Heritage online course and merchandise.

This video appears to be a critique of Dust to Digital's facsimile release of Harry Smith's Anthology of American Folk Music. The uploader, Clifton Hicks, promotes their own "Banjo Heritage" brand through various platforms like Patreon, SubscribeStar, Bandcamp, and their website. They also mention their music is available on Spotify and iTunes, and accept donations via PayPal and Venmo. The video touches on themes of cultural heritage, traditional music, music history, and country music, with a specific focus on banjo music and a mention of 432hz tuning.

This video features Clifton Hicks performing "Old Chattanooga" on a banjo. He details the history of the tune, noting it was learned from a 1977 performance of Blaine Smith, Florrie Stewart, and Willie Branan, who themselves learned it in the early 1900s from Tom Douglas. Hicks plays an 1888 Thompson & Odell "The Luscomb" banjo tuned to eBEG♯B (approximately gDGBD) at 432 Hz. The description also includes links to his Patreon, Bandcamp, merch, Spotify, iTunes, SubscribeStar, and YouTube channel memberships.

This YouTube video centers on Clifton Hicks introducing the "The Harry Smith B-Sides" compilation album from Dust-to-Digital. The content highlights Americana, music history, blues, folk, and country music, with a specific focus on 78 RPM records and banjo heritage. The description provides extensive links to the creator's various platforms, including Patreon, website, Bandcamp, Spotify, iTunes, and donation channels, all related to his music and banjo-related online courses and merchandise.

This video is a banjo performance of a song titled 'Ballad of Kyle Rittenhouse' by Clifton Hicks. The description provides links to the artist's Patreon, merch store, PayPal, Venmo, Spotify, iTunes, Bandcamp, SubscribeStar, and YouTube channel memberships. It also includes a list of hashtags related to various music genres and the subject matter of the song. The song's title and hashtags directly reference Kyle Rittenhouse and related themes.

This video features Clifton Hicks performing 'Cold Blows the Wind' on a 5-string banjo using the clawhammer technique. The performance is set against a stark, black-and-white woodland backdrop, with the artist adopting a historical frontier persona. The song's narrative unfolds through somber vocals, detailing a lover's mourning at a grave and a spectral warning from the deceased.

This video features Clifton Hicks performing 'Ballad of Bloody Bill Anderson' on a banjo, detailing the historical figure's violent exploits. The performance highlights advanced clawhammer banjo techniques and deep knowledge of American folk music and Civil War lore. The song's narrative covers Anderson's arrival, a fierce battle, his death, and the grim aftermath, including the display of his head and pistols marked with his kills.

Clifton Hicks performs the traditional folk song 'Moonshiner' on a 5-string banjo using a clawhammer technique. The song details a life dedicated to moonshining, sustained by whiskey and beer over twenty-one years. The performance features an instrumental introduction before the vocal verses begin.