Videos tagged with traditional banjo

This YouTube video features a musical performance of the tune "Old Coon Dog" (also known as "Turkey Buzzard") played on a late 19th-century Cubley banjo. The artist, Clifton Hicks, emphasizes a traditional playing style and offers various ways for viewers to support his work and access related content, including tablature, online courses, and merchandise. The video is tagged with musical genres like banjo, bluegrass, and Americana, along with a mention of 432Hz tuning.

This video explores the historical journey of the banjo, tracing its origins from West Africa and the Caribbean to its prominence in the 19th-century commercial music scene. It highlights a significant archaeological find from an 18th-century Maryland plantation and touches upon the current landscape of traditional banjo culture. The description also includes numerous links to support the creator, Clifton Hicks, through Patreon, merchandise, courses, and streaming services.

This video features Clifton Hicks playing the song "Sundown" on a banjo. The instrument is a copy of an 1840s William Boucher "minstrel" banjo, tuned to dGDGA (A = 432 Hz). Hicks explains his original third verse and instrumental arrangement, and demonstrates a traditional picking style he calls "up stroke" or "up picking," also known as "Seeger style." He notes this style produces a trance-like sound suitable for dancers. The description also includes numerous links to his Patreon, website, merchandise, and music streaming platforms.

This YouTube video features Clifton Hicks performing the 1889 song "No More the Moon Shines on Lorena" by Louis Staab on a Terry Bell minstrel banjo. The description highlights the song's history, its occasional confusion with Henry Webster's "Lorena," and past recordings by the Smyth County Ramblers and the Carter Family. It also mentions Jerron Paxton's recent popularization of the tune among traditional banjoists. The performer details their specific banjo and tuning.

This video showcases a turn-of-the-century S.S. Stewart "The Amateur" Grade 2 banjo, serial number 71550. The creator, Clifton Hicks, provides links to his various platforms including Patreon, Bandcamp, merch, Spotify, iTunes, SubscribeStar, PayPal, and Venmo, indicating this is likely part of a broader series on banjo heritage and music.

This YouTube video, titled "Tune to Your VOICE Instead of a Tuner - Traditional Banjo Lesson" by Clifton Hicks, offers an innovative approach to tuning a banjo. Instead of relying on external tuners, the lesson advocates for tuning the instrument to the player's vocal pitch. The description highlights specific banjo tunings used for three different traditional songs: "Walking Cane" (gDGBD), "Coon Hunt Walkaround" (gCGBD), and "Last Gold Dollar" (Mole in the Ground) (gCGCD). The video also includes numerous links to the creator's various platforms for music, merchandise, and support, including Patreon, SubscribeStar, Bandcamp, Spotify, and iTunes. The video focuses on an instructional method for banjo players interested in old-time music.

This YouTube video provides a banjo lesson on the traditional tune "Love Somebody," also known as "Soldier's Joy." The instructor, Clifton Hicks, demonstrates two traditional approaches in different tunings, including a unique two-finger arrangement in gCGCE. The description highlights the tune's historical significance, particularly its preference among black musicians under the title "Love Somebody." The video also includes links to the instructor's various platforms for tabs, merchandise, and music.

This YouTube video features a traditional banjo lesson titled "Crying Shame" by Clifton Hicks. The song was composed in November 2004, inspired by the loss of a friend in the Iraq War. The description includes poignant lyrics about hardship, running from troubles, and resilience. The video also provides links to the artist's Patreon, SubscribeStar, Bandcamp, merchandise, and payment platforms. It touches upon themes of war trauma and loss, and lists various banjo styles and historical musical traditions. The video is primarily an instructional and artistic piece focused on banjo music.

This YouTube video provides a banjo lesson for the traditional folk song "Last Gold Dollar" (also known as "Mole In the Ground"). The lesson focuses on a gCGCD tuning, a common open tuning in traditional banjo playing, often lowered to match the singer's voice. The description delves into the song's history, its connection to singer Orgus "Grandpa" Hudson, and a notable recording by Dock Boggs. It also highlights the tradition of singing while playing the banjo and explores various banjo playing styles and related musical traditions. The content is primarily educational for banjo players interested in old-time and folk music.

This video is a traditional banjo lesson focusing on the tune "Big Eyed Rabbit" (also known as "Rock In a Weary Land"). The instructor, Clifton Hicks, demonstrates the song using a 1990s George Wunderlich "Boucher" minstrel banjo and mentions learning it from Josh Hayes. He highlights the song's famous recording by Tommy Jarrell and Fred Cockerham and connects it to a biblical reference from Isaiah 32:2. The description also provides extensive details about related musical styles, historical figures in banjo music, and various ways to support the creator.

This YouTube video offers a traditional banjo lesson on an original arrangement of "Cotton-Eyed Joe." The instructor, Clifton Hicks, demonstrates two distinct playing styles: two-finger (thumb-lead) and overhand (clawhammer). The lesson utilizes an early 1900s S.S. Stewart "Amateur" banjo tuned to f# DGAD. The description also provides links for obtaining the tablature, supporting the creator financially, and accessing their music on various platforms, highlighting a focus on banjo heritage, old-time music, and related folk traditions.

This YouTube video provides a traditional banjo lesson for the song "Boat's Up the River," learned from Ola Belle Reed. The creator, Clifton Hicks, demonstrates the tune on his 1888 Luscomb banjo, discussing tuning variations (gCGCD and f# D F# A D) and their interchangeability. He also offers multiple ways for viewers to support his work, including Patreon, Bandcamp, merchandise, and direct donations. The description is rich with keywords related to banjo playing styles, historical context, and a wide array of musical traditions and artists, suggesting a deep dive into folk and heritage music.