GOALS: Dead Air Lazarus 6

Mike Smith from Dead Air Armament introduces the new Lazarus 6, their first hard-use 3D-printed suppressor made from Hanes 282, a nickel-based super alloy. It features Trellion baffles and a gas management system designed for lower back pressure, improved acoustics, and reduced flash. The Lazarus 6 is compatible with various mounting systems and includes an optional Adjustable Back Pressure Device (ABD) for fine-tuning. Dead Air also unveils the Noax, a lightweight 338 8.6 suppressor utilizing additive manufacturing and the new ZMAX mounting system, designed for larger cartridges and rated for full auto fire with no barrel length restrictions.

The video explains the growing trend of 3D printed suppressors in the industry. It highlights the advantages of additive manufacturing, including the use of exotic materials like Hannes 282, titanium, and Incanel, leading to improved durability and lighter weight. The process also minimizes human error for greater consistency and allows for complex baffle designs that enhance sound and back pressure reduction.

This video reviews the Griffin Armament Checkmate AM32, a 32 caliber suppressor constructed from proprietary Nickel 625X using additive manufacturing. The host highlights its versatility for calibers like 32 ACP, .22LR, 5.7x28mm, and even limited use with .223 Remington. Key features include its durable material, effective sound suppression, and the included Easy Lock mounting system, with an option for direct thread mounting.

This review of the Dead Air Lazarus 6 suppressor highlights its multi-caliber capability for 5.56 NATO and 6mm ARC. The presenter praises its compact size, low back pressure system, and the effectiveness of the included Xeno muzzle device. It's noted as a Silencer Shop exclusive, offering a solid option for those seeking a versatile and quiet suppressor.

This video introduces the new Sabre Mixtape Suppressor from Palmetto State Armory, highlighting its innovative 3D-printed Grade 5 Aerospace Titanium construction and hub thread compatibility with a Plan B style mount. Expert instruction details its advanced manufacturing process, design for optimal gas capture, and specific technical specifications, including dimensions and a Burnt Bronze Cerakote finish. The suppressor is set to officially launch on March 13th.

The Dead Air Lazarus 6 is presented as a hard-use 5.56 suppressor, technically capable of 6mm ARC due to its larger bore. It features a tralian baffle system for exceptionally low back pressure, achieved through 3D printing with Hanes 282 for durability. The suppressor is FA rated with no barrel restrictions and utilizes industry-standard Hub-compatible threads for broad mounting adaptability.

This guide details the installation of a Geissele MK8 Super Modular Rail on an AR-15 platform. It covers securing the upper receiver, installing the barrel nut, gas system, and the rail itself, emphasizing the use of specialized tools and proper torque specifications. The process requires an intermediate skill level and careful attention to detail for a secure and functional build.

This guide, based on expert instruction from Brownells, details essential practices for proper ammunition storage. It emphasizes using airtight containers, managing humidity with desiccants, and maintaining stable temperatures to ensure ammunition reliability and safety. Proper storage is crucial for preventing corrosion and propellant degradation, especially for sensitive components like primers.

This guide details the process of upgrading an AR-15 from standard A2 furniture to Magpul components. It covers the removal of the A2 pistol grip and installation of the Magpul MIAD Grip and Magpul PRS Stock. The video demonstrates efficient assembly using specialized tools, highlighting the ergonomic benefits and adjustability of the Magpul parts. Instruction is provided by Brownells, a recognized industry authority.

This entry details the creation of a movie prop suppressor for a Remington 11-87 used in 'No Country for Old Men.' Prop master Larry Zanoff explains how the suppressor was designed to look homemade and was non-functional, with sound effects added in post-production. The process highlights the creative problem-solving involved in film armory.