Brownells - Cleaning Brass: Part 2: Tumbling Cases

This guide details three primary methods for cleaning reloading brass: vibratory tumbling with dry media, rotary tumbling with wet media and stainless steel pins, and ultrasonic cleaning. It covers the setup, media types, cleaning solutions, and approximate run times for each method. The guide also addresses post-cleaning separation techniques and the necessity of dealing with crimped primer pockets.

This experiment compares wet tumbling brass cases with and without stainless steel pins. While both methods yield clean brass, the batch tumbled with pins demonstrated significantly cleaner primer pockets and a more polished exterior finish. The presence of pins is recommended for achieving a higher level of cleanliness, especially for critical reloading applications or for individuals who prefer pristine brass.

This guide demonstrates the use of a universal decapping die for efficient primer removal from spent brass before cleaning. The process involves setting the die on the reloading press and using the ram to punch out primers. This method is recommended to avoid damaging sizing dies with dirty brass and to prepare cases for thorough cleaning and subsequent reloading steps. It's highlighted as a simple and fast process suitable for beginners and even for involving younger family members with proper safety briefings.

This guide details the operation of the RCBS Ultrasonic Case Cleaner for thoroughly cleaning cartridge cases. It highlights the cleaner's 3-liter capacity, 5 temperature settings, and 1-30 minute timer. The process involves filling the tank, placing cases in a drain basket, selecting settings, running a cycle, and then draining the tank and cases.

This video focuses on a unique setup involving tumbling brass with solar power, as indicated by the title "Tumbling brass with solar power!". The description highlights that InRange is viewer-supported through Patreon, suggesting a content creator in the firearm community. While specific firearms or calibers are not explicitly mentioned, the context of "tumbling brass" strongly implies a connection to shooting sports, reloading, or firearm maintenance. The emphasis on viewer support suggests a channel that relies on its audience for content creation and funding, common in specialized hobbyist channels.

This video, "Brownells - Cleaning Brass: Part I: Brass Cleaning 101," hosted by Bill Gravatt, serves as an introductory guide to the fundamental principles of cleaning spent brass casings. It focuses on the 'why' and 'how' of case cleaning, laying the groundwork for subsequent parts in the series. The content is aimed at individuals looking to maintain their firearm ammunition, likely for reloading or simply for cleaner storage and handling.

This guide details the installation of a Geissele MK8 Super Modular Rail on an AR-15 platform. It covers securing the upper receiver, installing the barrel nut, gas system, and the rail itself, emphasizing the use of specialized tools and proper torque specifications. The process requires an intermediate skill level and careful attention to detail for a secure and functional build.

This guide, based on expert instruction from Brownells, details essential practices for proper ammunition storage. It emphasizes using airtight containers, managing humidity with desiccants, and maintaining stable temperatures to ensure ammunition reliability and safety. Proper storage is crucial for preventing corrosion and propellant degradation, especially for sensitive components like primers.

This guide details the process of upgrading an AR-15 from standard A2 furniture to Magpul components. It covers the removal of the A2 pistol grip and installation of the Magpul MIAD Grip and Magpul PRS Stock. The video demonstrates efficient assembly using specialized tools, highlighting the ergonomic benefits and adjustability of the Magpul parts. Instruction is provided by Brownells, a recognized industry authority.

This entry details the creation of a movie prop suppressor for a Remington 11-87 used in 'No Country for Old Men.' Prop master Larry Zanoff explains how the suppressor was designed to look homemade and was non-functional, with sound effects added in post-production. The process highlights the creative problem-solving involved in film armory.