Quick Tip: How to Remove a Rubber Recoil Pad

This guide details the process of swapping the recoil spring on a Girsan Match X Comp pistol. It involves disassembling the slide and comp, using a small Allen wrench to release the spring, replacing it, and reassembling the components. The instruction emphasizes the need for some force during disassembly and careful alignment during reassembly.

This video provides a detailed, step-by-step guide to reassembling an Atlas Erebus 1911DS pistol after it has been fully disassembled. The instructor, while not a professional gunsmith, shares his practical approach to putting the firearm back together, highlighting common challenges and solutions. The guide covers the reinstallation of all major components, including the trigger, grip, fire controls, hammer, safety, and slide, emphasizing the importance of proper fitment and lubrication. It also touches upon the unique hand-fitted nature of Atlas firearms and the availability of builder kits.

This guide details the process of smoothing the action on a Bear Creek Arsenal BC-10 bolt action AR chambered in .308 Winchester. The author addresses initial issues with a stiff and locking action by performing a deep cleaning and gently polishing the bolt lugs to simulate break-in wear. The process involves careful disassembly, cleaning, light polishing with a buffing wheel, lubrication, and reassembly, aiming to improve the overall smoothness of the bolt operation. The video also touches on optic mounting and initial range testing after the modifications.

This video provides a detailed field strip and barrel removal guide for the MG 81 machine gun. It covers the steps for removing the bolt, feed tray, barrel, and internal components of the cocking system. The instructor highlights potential challenges like spring tension and stiff parts, offering practical tips for disassembly and maintenance.

This guide details the installation of a SIG-LOC Compact optic onto a SIG SAUER pistol. It emphasizes safety by starting with a cleared firearm and covers field stripping, preparing the slide, applying Loctite, mounting the optic with specific torque values (18 inch-pounds), and reassembling the firearm. The process concludes with a crucial function check.

This guide details how to address a seized AR-15 upper receiver, a common issue exacerbated by suppressor use and infrequent cleaning. The instructor, with extensive firearms experience, demonstrates a multi-stage approach starting with penetrating oils and progressing to more aggressive chemical cleaners when initial methods fail. The video emphasizes understanding dwell time and the effects of carbon buildup, offering practical solutions for a problem that can render a firearm inoperable.

This guide details the installation of a Geissele MK8 Super Modular Rail on an AR-15 platform. It covers securing the upper receiver, installing the barrel nut, gas system, and the rail itself, emphasizing the use of specialized tools and proper torque specifications. The process requires an intermediate skill level and careful attention to detail for a secure and functional build.

This guide, based on expert instruction from Brownells, details essential practices for proper ammunition storage. It emphasizes using airtight containers, managing humidity with desiccants, and maintaining stable temperatures to ensure ammunition reliability and safety. Proper storage is crucial for preventing corrosion and propellant degradation, especially for sensitive components like primers.

This guide details the process of upgrading an AR-15 from standard A2 furniture to Magpul components. It covers the removal of the A2 pistol grip and installation of the Magpul MIAD Grip and Magpul PRS Stock. The video demonstrates efficient assembly using specialized tools, highlighting the ergonomic benefits and adjustability of the Magpul parts. Instruction is provided by Brownells, a recognized industry authority.

This entry details the creation of a movie prop suppressor for a Remington 11-87 used in 'No Country for Old Men.' Prop master Larry Zanoff explains how the suppressor was designed to look homemade and was non-functional, with sound effects added in post-production. The process highlights the creative problem-solving involved in film armory.