Practical Shooting After Dark EP 9

Published on August 9, 2018
Duration: 24:07

This episode of Practical Shooting After Dark features a discussion on the evolving rules of Production Optics division in IPSC, with insights from Kim and Maria. They cover proposed changes to magazine capacity, optic mounting, and trigger pull weight, contrasting them with USPSA Carry Optics rules. Maria also shares her experience at a challenging Level 4 match in Africa, highlighting the difficulty of no-shoot targets and the physical demands of the competition. The episode concludes with a Q&A addressing movement efficiency in competition shooting and the concept of natural talent among shooters.

Quick Summary

Proposed rule changes for IPSC Production Optics include a 15-round magazine capacity and 140mm length, mirroring USPSA Carry Optics. Discussions also cover slide milling for optics and a potential 2.2-pound trigger pull weight, benefiting striker-fired guns. Maria Yoshino described a challenging African match with difficult no-shoot targets and extreme weather.

Chapters

  1. 00:00Intro & Travel Plans
  2. 00:57Welcome to Practical Shooting After Dark
  3. 01:35Guest Introductions: Maria Yoshino & Kim
  4. 02:30IPSC Production Optics Division Rules Discussion
  5. 07:48Maria's Experience at an African Level 4 Match
  6. 13:53Listener Questions Begin
  7. 14:15Q1: Movement on Low Hit Factor Stages
  8. 19:21Q2: Natural Talent in Shooting
  9. 23:53Outro & How to Submit Questions

Frequently Asked Questions

What are the proposed rule changes for IPSC Production Optics division?

Proposed changes for IPSC Production Optics include a magazine capacity of 15 rounds and a maximum magazine length of 140mm, similar to USPSA Carry Optics. There's also discussion about allowing slide milling for optic mounting and potentially reducing the trigger pull weight to 2.2 pounds, which could offer advantages for striker-fired firearms.

How difficult was the Level 4 match in Africa described by Maria?

Maria described the Level 4 match in Africa as exceptionally difficult, citing numerous no-shoot targets, some partially obscured at 25 meters, which demanded extreme precision and led to many penalties. The challenging stage design and physical demands made it one of the toughest matches she has ever competed in.

What advice is given for improving movement on lower hit-factor stages?

The advice for improving movement on lower hit-factor stages is to mentally separate the actions of shooting and moving. During movement, focus on controlling the body and running as fast as possible, without dwelling on the shooting performance. Maintaining an intensified focus and a 'shooting face' during walkthroughs can also help prevent a 'go slower' mindset.

Is natural talent a significant factor in competitive shooting success?

While natural talent might provide an initial advantage, such as better physical coordination or a faster learning curve, it's widely agreed that consistent practice, dedication, and hard work are essential for developing the skills needed to win major competitions. Natural gifts alone are rarely sufficient for sustained success at higher levels.

More Range & Competition Videos You Might Like

More from Ben Stoeger

View all →